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Vera J. Weimer, 96, founding member of Holy Spirit Catholic Church - Southside Daily
The family will receive friends at from 7-9 p. m. Thursday, May 18, at Hollomon-Brown Funeral Home, Kempsville Chapel, with a wake service at 7 p. m. A funeral Mass will be celebrated at 11 a. m. Friday, May 19, at the Catholic Church of St. Mark... Weimer, 96, passed away Monday, May 15, 2017. Born in Cumberland, Md. , she was the daughter of the late Harry and Sarah Doyle and the widow of Paul H. Weimer, the love of her life for 61 years. and 28 grandchildren, 61 great-grandchildren and 12 great-great-grandchildren. three sons, Vincent Weimer (Janice) of Fredericksburg, Va. , Harry Weimer (Leslie) and David Weimer (Debbie), both of Virginia Beach. She was a founding member of Holy Spirit Catholic Church and a member of the Catholic Church of St. Mark and the Red Hat Society. Source: southsidedaily.com
Sage Andrew Romero Uses Hoop Dancing to Create Spirit and Identity Among Owens Valley Paiute - Link TV
Here today I am performing it to raise energy and it can be done to contemporary music. “Fortunately for me my grandmother kept the traditional culture alive. This time he jumps through with the short fringe on his buckskin boots flapping in sync with the fast beat of the music. I drew the designs and she said it made her think of me because it is like us with the four corners. “From my Paiute side I gain humbleness and balance. There is a celebratory feeling, one of camaraderie and bonding but also a somber reflection of the struggle faced by many groups today. I feel that pride of knowing it is time to get down. There would be fifty to seventy-five people attending at times. I feel that pride of knowing it is time to get down. ” He explained that dancers as they grow in their art are rewarded with eagle feathers that can be added to their regalia. ” They promoted sobriety runs, powwows, red ribbon week, and school assemblies for heritage month. He says there is quite a difference between the two sides of his culture. ’ People began to bicker among themselves because they were stripped of an identity which made them vulnerable to drugs. For the Owens Valley children, the two nearest schools are Sherman in Riverside and one in Porterville. Romero said, “A friend gave me a pan flute when she went down to Machu Picchu. They are just the like the ones that are happening in many other places simultaneously in California and across the nation on the same day. “I want to train people who ask me so I need a private space. The dancers do Paiute war, ribbon and basket. Indian groups all encompass the word “red” in their name. His regalia of wrist and ankle bands blur as he swings the hoop over his head around his body and between his legs. Compounded by poverty, Paiutes suffered high rates of certain diseases, dysfunctional family relations, and substance abuse. Alcoholism and substance abuse is considered by many a chronic disease among the Paiute. In turn, when they see people such as me, they immediately assume we are devils for practicing those old ways. Nothing like a common cause to bring people together and overcome any disagreements or differences. Romero's family was active and involved in community events. Fandango is a Spanish word and the Paiute word is very long and difficult for non-speakers. ” Although the tribe is supportive they stress that Romero’s job as Community Outreach Coordinator comes first. ‘Hand” represents how we are “hands-on” with our culture. “You will know for which purpose it is being performed when and if you see it. They have to use the red willow hoops which are real thin, flexible. He explains that the boarding schools changed how the people thought about themselves. One of the prevailing forms in American Indian art is circularity and it dominates the perception, reality and life philosophy. “Here in Big Pine our culture has been stripped away by boarding schools and all that. “Water is life, water is life” – the North Dakota protest chant – echoes occasionally through the day. Physically we dance. The core of AkaMya is dancing. Once a week I do something that focuses my dance. ” He plans to have the space for dancing inside year-round. ” He explains, “They don’t want to be native but want to blend. Romero’s experiences and observations led him to form with another tribal member in 1997 to 1998 a group that is now called “AkaMya. It is the closest form that we do when we are dancing, except without the bustle. The traditional patterns embroidered in his vest and breach cloth echo meaning and the dancer’s life story to those versed with Indian designs. “Social dances are presentations to the community. Social dances are not really spiritual but they are honored. ” Basket designs in the regalia represent his Paiute side. We wanted to be called ‘red hand’ but in the Paiute language, AkaMya. “Red is a color for the Paiute people that means power and strength. “My design is based slightly on the fancy dance style. The AkaMya group has changed over time, but the main focus of culture and alcohol and drug-free remain the same. ’” He explains, “Our people need the revitalization of our traditional culture, taking care of each other. ” He wants to develop it into a full dance studio. “We were slowly learning to dance in a powwow style and teaching others. But Romero winds them around in three-dimensional geometric forms until he magically holds up five intertwined hoops like a magician completing a trick. This is a fundraising event in Bishop, with music, dance, food and other charity activities. Dance group, multimedia, events and training in wellness. For Romero it all begins with the dancing. Mine is the journey I have been on at age 37. ”. Dancing is a very physically demanding performance form. His regalia or dancing clothes were designed by him and sewn by his mother Margaret. ” His dancing comes strongly from Taos Indian. Dance groups especially used red in their name. “When I would come back to the Owens Valley showing my dancing as it developed, I would be called a ‘devil. I need a lot of wrist strength for hoop dancing. Despite the differences that differences among the four Owens Valley Paiute tribes, it was water and control of it that have united them. It is a feeling that is truly unmatched at times, and I find myself constantly wanting to back to that place in null times. It is important realize that the most sacred dances were not open to me because I am not on a Paiute path so I have not experienced these. Because the Hoop Dance has a lot of motion, twisting and turning, the regalia are kept simple, with no cords, yarn or beads hanging down. Romero did explain the kinds of dances he performs. At the same time Romero’s fame and dancing career took off. Explaining the colors and other designs he said, “The colors represent my Dad’s side, the turquoise color represents power. Younger people are starting to bring back the old dances which were done only by older warriors long ago. Younger people are starting to bring back the old dances which were done only by older warriors long ago. Dancing is seen as a way to bring power to the people, as the actions call upon strength of our ancestors and beings of the land. The Bishop and Big Pine Water commission tied everyone in. In the same way, Romero has also found the common threads that tie his Taos and Paiute side together. When I dance, there have been times where everything around me becomes blurred, and my focus is entirely upon my hoops and the song. When I dance, there have been times where everything around me becomes blurred, and my focus is entirely upon my hoops and the song. ” It is these dangers to his people that have shaped Romero’s life, focus and the artistry of his dancing. He wants an outside dancing area like the one at the cultural center, but he said, “It’s not as nice because we did it ourselves. Romero is building a dance studio but it is all coming out of his own pocket “so it is taking a lot of time. I present one possible interpretation of American Indian philosophy as a dance of person and place by examining four important notions…. “Dancing for the Paiute is important in the revitalization of our culture in today’s society. “Dancing for the Paiute is important in the revitalization of our culture in today’s society. Spirits humble me and keep me open to others. The first Indian boarding schools were established by either the government or Christian missionaries as a way to destroy the Indian’s culture and social structure. ” Romero had been at the Santa Fe Indian School and returning to Taos he saw there was a lot of dancing happening. Romero explains the importance of dancing in the lives of the Paiute today. When asked about the “devil” comment further, Romero explained, “There are contemporary native people that are taught a form of Christianity which teaches their followers our traditional ways are taught by the devil. He grabs a hoop, his feet moving in quick, rhythmic steps propelling him faster and faster in a circle. One of the best insights into his dancing was given by Romero in an interview done by Dr. Dawn Karima, Native American Culture editor for an on-line site powwow. Paiute/ Taos Pueblo hoop dancer Sage Andrew Romero continues to add hoops that would trip up any ordinary man. He understands that his Taos culture gave him dancing, pride and cultural identity. “When the regalia come on, my body and spirit know it is time to move in that good way. Haines and Laurie Coller Hillstrom in their excellent paper on the Southern Paiute write, “By the late twentieth-century, health care facilities were available to some Paiutes often through the federal Indian Health Services (HS)…. In addition to... In "The Dance of Person & Place: One interpretation of American Indian Philosophy ," Thomas M. Norton-Smith quotes a Shawnee Indian from another tribe than the Paiute, “My name is Owl Listening. “There is a three-sided symbol that represent the future, the present and the past all intertwined, They also represent the way we love, and are intertwined in a circle honoring all directions as well. Romero's mother Margaret Romero of Big Pine is a traditional Paiute and his father is Andrew Romero of Taos Pueblo. He learned to dance at the Taos Pueblo, where dancing was celebrated and preserved. The pulsing music, the syncopated movements, the finesse of the elegant motions come together to form a physical feat of endurance, strength, coordination and inner spirit that announce to the world through demonstration who this 37-year-old man... “After all the spiritual dancing is over, we would do the hoop dancing at the end of a ceremony which is why we can do it as performance at events like this. Stout in her book “ Native American Boarding Schools ” writes, “While the original purpose of the boarding school was cultural genocide and began with the use of English only for instruction and interaction within the boarding school, Sally J.... When she asked Romero what is felt like to dance, he responded, “When the regalia come on, my body and spirit know it is time to move in that good way. As the modern dance music begins thumping an infectious beat out across the lawn in front of the Paiute Cultural Center in Bishop, California the dancer announces that this music is to bring up the spirit and energy of the crowd of people there. Source: www.linktv.org
Twin Peaks: David Lynch breaks down the first four episodes - EW.com (blog)
What were you doing last night while we were all watching the premiere. Will Agent Cooper ever come back with mind and personality intact. No, it’s for a place where I sit. Well, that’s good. Co-creator David Lynch, notoriously tight-lipped and spoiler-phobic, was true to form when we met up with him the morning after the premiere for coffee and a brief chat before he departed for Cannes Film Festival. You’re allowed to call him whatever you want. It looks like a brain to me. It’s just a head. But you have to face everything, and so it’s good to kind of go along with your life. Do you think of the world as mean and cold. I’d love to know about the editing process. Oh, you don’t want to know. What if you get an idea and you go, “Oh, we have to set that up earlier. There’s a moment when Cole says that back when Denise was transitioning, he told her colleagues who couldn’t deal with it to—. “Change their hearts or die. But are you telling a story about, say, the spiritual condition of America. It just comes from the idea. If it wasn’t all done, well, what if you wanted to go back and change something. What are we calling this character, by the way. Okay, I’m building a table — well if you have a pen, I can draw it for you. And then down here is a drawer that has a place for a yellow pad. Ideas just come, you think about them, and you figure out their meaning. Then, how they fit into the whole is another thing completely. [ He begins drawing ] Here is a place for glasses, remote controls, and pens. At least 80 percent in the writing, and then you discover others along the way. Why did you like the idea of expanding the scope of the series. When you’re hands-on, it’s a magical thing. This relationship between my character, Gordon Cole, and Albert is so important to the story. And by the way, about that guy, you just keep watching. [Note: This conversation includes questions about Parts 3 and 4, which are currently available on Showtime’s digital platforms. I always say it’s not done until it’s done. Part 4 also establishes that apparently, Cole has had some dubious history with younger female agents. So it’s a side table that holds all the things that I use. It’s just like a magical thing. I’m going to have electricity wired into the table — I’m going to have a lamp — so I have a switch right here. Mostly we’re just following the script because we worked so hard to get it that way. You have this ability to depict and convey a feeling of evil with sound and images in ways that are deeply disturbing, scary, and memorable. And I’ve known Catherine since 1971, and I see her on the screen, and it’s… well, it just doesn’t seem right that she’s not here. How many of those puzzle pieces were found during the writing process with Mark Frost, and how many did you get while shooting. People are people, and we are the way we are. All that matters is that finding a way to translate what appears in the mind into cinema. Some come, and you have no idea how they appear, and they have nothing to do with the present-day world. And here you are, doing your favorite thing in the world, talking to the press. Part 1 also suggests the story of Laura Palmer (Sheryl Lee) might be far from over. Other ideas are conjured by the present and the way it is. So it does have an influence. If I have an idea, I can take out the yellow pad and write it down with the pens. Ideas take you to places. You have picture, sound, and mood, and you try to get that as good as you can when you film it. One of the images of evil I’m speaking about was the man in the jail cell who seemed caked in mud or burnt to a crisp and contorted in agony. You might be thrilled, you’re probably mystified, and you’re certainly perplexed. Would you like people to tell you how things are being received, or would you rather shut that out. Then, in the editing process, you are open to discovering new things. That said, I also say that ideas are conjured by our world many times. Well, for sure I’d like to hear good news. The return of Twin Peaks on Showtime (Sundays, 9 p. m. ) is finally here, 26 years after the influential cult classic left us hanging with many maddening cliffhangers. So the additions or changes are along the lines of special effects or playing a scene in a different place. It’s not like an anchor like that. Here’s a larger circle for a wine bottle. Were you trying to give the audience an allegory for TV-watching or how to watch the show. Mark might have a different perspective, but I don’t think about the world in that way. Part 4 sees the return of Denise, a transgender woman and law enforcement agent played by David Duchovny. There are scenes in the first four parts involving tender moments with the Log Lady (Catherine Coulson) and Albert Rosenfield (Miguel Ferrer) that are even more poignant knowing the actors have since passed away. That’s always the way it is. Agent Cooper’s story isn’t just about trying to escape from the Black Lodge. It’s also about a guy returning to a world he once knew and reconnecting with it. Does that story resonate with you, in terms of returning to television. The way these parts are constructed — are you following what you wrote, or did you restructure the stories in editing. I fell in love with Albert on this trip through Twin Peaks , and I just loved working with Miguel. And here’s a circle with Kleenex coming out. DAVID LYNCH: I’m feeling good, I am. I’m kind of insulated from things because I don’t hear so much feedback, so I’m just in regular living mode. But that’s an interesting way to think about it. Do you think in terms of allegory or meta. Well, smell isn’t one of the senses cinema gives us, so you have to imagine it. All I’ll say is that it doesn’t smell good. Gordon comes on strong in Part 4. He steals the show for me. Well, the actor who portrays Gordon is awfully good. There were just things going on in places other than Twin Peaks. I never directed David in the original Twin Peaks , so it was a thrill for me. Cole used to be Denise’s boss, but things have changed. We also got just a ridiculous amount of vomit coming out of Dirty Cooper in Part 3. It’s not pretty, is it. What does the vomit of a Black Lodge demon smell like. And then you to have to put the puzzle together, but one is from the end of the story, one is from the middle, and a couple from the beginning, and you won’t know until it’s more formed what it could be. RELATED: Hear A Breakdown of the First Two... But as you’ll also see, it’s also about coming into the world as a new life, learning your likes and dislikes, and doing the best you can to find your way. You’re in there with the stuff, and you can see possibilities for a new addition or a new way. And over on this side is a large door, so this part right here is a place for Parmesan crackers and trail mix and wine glasses and different things. Ideas came from the script, but ideas can keep coming into post-production. An idea comes from reading a script, and an image appears in the mind, and a sound appears in the mind. “The story is the thing,” he said when asked about why he’d rather not explain or frame things for viewers. It’s not finished until it’s finished, and you don’t really know until further down the road how one thing relates to another. There’s a very strange new character in the Black Lodge, a talking tree, an evolution of The Man From Another Place, also known as the Arm (Michael J. Anderson, who did not return for the new series). And regardless, in terms of Twin Peaks, I don’t think in terms of, “This is what’s happening in the world, let’s put it in. ” It’s just about the ideas that come. At the end of Part 1, the detective with the flickering flashlight opens the trunk of a car and finds some kind of severed body part. Given how much of the story that’s happening right now is taking place in other cities, I was curious to know if these scenes set in Twin Peaks are meant to serve more as a bass line, or at least, an indication or promise to the audience that... You decided to tell a story that doesn’t just take place in Twin Peaks but in different parts of the country. Parts 1 and 2 have premiered, and the reviews are coming in. Parts 3 and 4 are now available to some Showtime subscribers. I can watch TV from that place, or I can meditate from that place, or I can think in that place. So there you go. It seems, though, that the world you’re presenting outside of Twin Peaks is a place gone bad due to the roaming spirit of this evil Cooper. My experience of the show, after four parts, is similar to the subplot in Part 1, where the young lovers grow a monstrous entity inside a giant glass box, then get killed by it. It’s fascinating watching it slowly take shape and form, and... Subscribe to A Twin Peaks Podcast: A Podcast About Twin Peaks – on iTunes, Stitcher, or wherever you get your podcasts – to unwrap the mysteries in EW’s after-show every Monday during the Showtime revival. I also always say the whole thing exists in another room as a complete puzzle, all the parts are together, and someone from that other room is sort of a rascal and randomly flips parts over into this room. Twin Peaks a place that is, um, super important to what’s going on. [ Laughs ]. Watch the cast discuss the show’s odd universe and the upcoming revival in the new People/Entertainment Weekly Network (PEN) special EW Reunites: Twin Peaks here , or... Source: ew.com
Vera J. Weimer, 96, founding member of Holy Spirit Catholic Church05/17/17 ,via Southside Daily
She was a founding member of Holy Spirit Catholic Church and a member of the Catholic Church of St. Mark and the Red Hat Society. In lieu of flowers, memorial donations may be made to St. Mary's Home, 6171 Kempsville Circle, Norfolk, VA 23502.
Sage Andrew Romero Uses Hoop Dancing to Create Spirit and Identity Among Owens Valley Paiute05/25/17 ,via Link TV
He grabs a hoop, his feet moving in quick, rhythmic steps propelling him faster and faster in a circle. His regalia of wrist and ankle bands blur as he swings the hoop over his head around his body and between his legs. He repeats the movements. This
Twin Peaks: David Lynch breaks down the first four episodes05/27/17 ,via EW.com (blog)
And here's a circle with Kleenex coming out. Here's a larger circle for a wine bottle. This is a door on So there you go. It seems, though, that the world you're presenting outside of Twin Peaks is a place gone bad due to the roaming spirit of this
A Guide to Helsinki in Honor of Finland's 100th Anniversary05/25/17 ,via Vogue.com
So far, 2017 has been a banner year for Finland, that top-of-the-globe locale that lies—at least part of it—within the Arctic Circle. Sports Illustrated flew supermodels Hailey Clauson and Bojana Krsmanovic there to pose with the reindeer and huskies
Nonviolence is a choice: Group's message of peace seeks footing in tough Chicago neighborhood05/26/17 ,via Chicago Tribune
The approximately 30 staff members sitting in a big circle nodded and smiled at the good news. Teny Gross, who heads Avoid inner violence of the spirit as well as outward physical violence. • The universe is on the Teny Gross, executive
Touching Spirit BearHarper Collins. 2010. ISBN: 0062009680,9780062009685. 256 pages.
In his Napra Nautilus Award-winning novel Touching Spirit Bear, author Ben Mikaelson delivers a poignant coming-of-age story of a boy who must overcome the effects that violence has had on his life. After severely injuring Peter Driscal in an empty parking lot, mischief-maker Cole Matthews is in major trouble. But instead of jail time, Cole is given another option: attend Circle Justice, an alternative program that sends juvenile offenders to a remote Alaskan Island to focus on changing their...
Stone, Steel & SpiritClerisy Press. 2017. ISBN: 1578601622,9781578601622. 96 pages.
When the award-winning Ratio Architects began to design the Indiana State Museum, the firm understood that its clients were the citizens of Indiana. This building, and consequently this book, pays homage to the spirit of Indiana.
The Circle WayBerrett-Koehler Publishers. 2010. ISBN: 9781605092584,1605092584. 218 pages.
Meetings in the round have become the preferred tool for moving individual commitment into group action. This book lays out the structure of circle conversation, based on the original work of the authors who have standardized the essential elements that constitute circle practice.